This note is tied to the suspension, and the two are the same pitch. Preparation: a weak-beat note in the counterpoint that is consonant with the cantus.Thus, like the passing-tone and neighbor-tone dissonances, the suspension is always preceded and followed by harmonic consonances. Because of the increased emphasis, even greater care must be taken to promote smoothness and overall coherence. The suspension is an accented dissonance, meaning it always occurs on strong beats. All fourth-species exercises from Gradus ad Parnassum. For the complete examples from Gradus ad Parnassum as exercises, solutions, and annotations, see Gradus ad Parnassum Exercises.Įxample 1. ![]() It also introduces a new kind of dissonance: the suspension.Įxample 1 provides the complete examples of fourth-species counterpoint from Part I of Gradus ad Parnassum, annotated (as before) with the interval that the counterpoint line makes with the cantus firmus. This arrangement means that in pure fourth-species counterpoint, the two lines always move in oblique motion. (Think syncopation on the bar level.) The counterpoint line will be notated in half notes, with each weak-beat half note tied across the bar line to the following strong beat. In fourth-species counterpoint, the counterpoint line and cantus firmus both move once per bar, but they are rhythmically offset from each other by a half note. “consonant resolution”: the part that stayed before now moves to resolve the dissonance to a consonance. ![]() ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |